Tuesday, August 11, 2009

Travelin' Music



By Tony Buchsbaum


You gotta love a soundtrack whose cover art is a photo displayed on its side. But it's the perfect image for the film, which certainly turns the love story on its side. The Time Traveler's Wife, based on the bestseller by Audrey Niffenegger, is one of those stories that you just know will make a spellbinding movie. And as a filmmaker, you sort of know, going in, that you want someone like Thomas Newman to write the score. After all, Newman's work is sometimes quirkily devoid of melody and other times transcendently rich with it. This particular tale would offer a bit of both, something he rarely does. Perfect.

But for The Time Traveler's Wife, they didn't get Thomas Newman. They got Mychael Danna. Doing a Thomas Newman impression.

His score is a bed of lush melody built of strings, soft percussion, and odd-sounding instrumentation, and it's got a sprinkling of synthesized sounds laid on top. The story, clearly weird but intriguing, involves a guy who flits about time and the wife left at home. It's got nothing but dramatic potential, and Danna does a great job of bringing the romance, heartbreak, and oddness of the story to life through music. The CD also includes a couple of songs, both of which I forgot the moment after I heard them. But the score has stayed with me—always a good sign.

The more I listen to it, the more I wonder if, indeed, Thomas Newman could have done a better job with this score. He's a brilliant composer, but I'm pretty sure he couldn't have. He would have dialed up the extremes of this work—the lushness and the quirkyness—but that wouldn't necessarily have served the film any better. It might have been distracting. If Danna's music is any indication, this is a thoughtful, even quiet film; anything too heavy-handed, too romanic, might have smothered it.

So, bravo to Mychael Danna. He's delivered one great score, one that brings out the themes of the film musically, in such a way that's easy on the ears, evocative of the story, and in its quiet way wholly original.

Saturday, August 01, 2009

Biography: Black Tooth Grin: The High Life, Good Times, and Tragic End of “Dimebag” Darrell Abbott by Zac Crain

Unsurprisingly, Black Tooth Grin (Da Capo) begins at the end. December 8, 2004, 24 years to the day that John Lennon died. “Dimebag” Darrell Abbott killed onstage, mid-song. The founder of the metal cover band Pantera, Abbott was not well known outside of his own metal community. However according to author Zac Crain, no one who knew the musician ever wondered why so many people called the act “the 9/11 of heavy metal.”

Of course, Black Tooth Grin doesn’t just tell the story of Abbott’s death. Much more time and detail is spent on the doomed musician’s life. Does D Magazine senior editor and music scribe heavyweight Crain sometimes move Black Tooth Grin towards the maudlin? Maybe only slightly. For the most part, though, Crain seems to hit all the right notes, skillfully blending fact with educated fancy, filling in the blanks and also imagining the what-might have beens and the nearly-weres.

Metal fans will, of course, find Black Tooth Grin to be a must-read but even those who had only barely heard of Abbott will find Crain’s book compelling. It’s a portrait of the music industry exactly as you always suspected it was... and yet entirely different. Fascinating.